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Top Reasons to Create a Free PDF Maps Account

#1 – It’s free!

PDF Maps accounts are free for personal use.

#2 – It’s easy to do

Creating a PDF Maps account is quick and easy. It can be done in the app and takes less time than reading this blog post.

#3 – Have access to maps anytime

If you lose, break, change or upgrade your device you don’t lose the maps you have purchased. They are linked to your account, so you can always re-download them at any time. It doesn’t matter if you change brands or operating systems, your maps are always available.

#4 – Share maps on multiple devices

You can download any map you have purchased unlimited times onto five different devices.

See this Avenza blog article for advice on this process.

#5 – Better access to help

Having a PDF Maps account enables Avenza to provide you a higher level of support.

 

If you are interested in using PDF Maps in a commercial, governmental or educational environment please see PDF Maps licensing and contact Avenza Sales or see

Also, learn more about about PDF Maps on its dedicated site www.pdf-maps.com.

Making a Map Without Knowing What the Final Extent or Scale Will Be

Ever have the problem that you want to make a map and you are waiting on the final extent or scale, but you want to get started adding data and working on the layout? Here are a couple of tips to make your life easier.

 

1. Move artboards around without moving your data

Geographic features in Adobe Illustrator are generally referenced to a known coordinate system. This coordinate system is mapped to Adobe Illustrator’s “Global Coordinate System” which has its origin at the top-left corner of the first artboard in a document. What this implies is that artboards can be moved around within this reference system in order to show different geographic data on the page. However, by default, moving an artboard moves any art that overlaps it as well. Obviously moving any referenced data around is going to ruin its spatial accuracy so this is something we want to avoid. Luckily there are two ways of doing this.

The first is to select the Artboard tool and click the Move/Copy artwork with artboard button to the right of the artboard name in the control panel above the document window.

Active artboard tool at the top left.
Deactivated Move/Copy artwork with artboard button at right.

With this option turned off, you are free to move the artboard around without disturbing any of the geographic data.

There is one downside to this though: you may have map elements such as titles, legends, grids, masks etc. that you want to stay locked in place on the artboard while you move it around the geographic data. The easiest way to do this is to simply lock any layers that contain geographic features, unlock the map elements, and activate the Move/Copy art with artboard option.

Non-map layers are unlocked while the layer that contains geographic data is locked.
Activated Move/Copy artwork with artboard button at right.

When the artboard is repositioned, your data will stay in the correct geographic location and your map elements will move with the artboard, keeping the same relative position.

Three images showing an artboard moving while the geographic data stays put.

2. Set up a clipping mask in conjunction with a grid

The previous example used a white polygon with a hole in the middle as a mask to provide whitespace around the edge of the map. Another way to achieve this is to use a clipping mask to hide geographic features outside the extent of the mask. This works well by itself, or when combined with a grid or graticule layer.

We have taken the previous example, deleted the mask and adjusted the colour of the background polygons slightly. We have also added an AOI polygon that will serve as the clipping mask extent.

Artboard extents are visible along with some data, a title, a scalebar and the clipping polygon.

To create a clipping mask, the first thing we’ll make a new layer called Clipped. Make sure that it is a non-MAP layer (verify this in the MAP View panel).

The new Clipped layer can be seen in both the Layers panel and the MAP Views panel.

Next, drag both the AOI layer and layers that contain geographic data into the Clipped layer making sure that the AOI rectangle is above the layer holding the geographic features.

The AOI layer and the MAP Layer are added to the Clipped layer.

Now if we select the Clipped layer and click on the Make/Release Clipping Mask button (Second from the left at the bottom of the panel) we should see the AOI rectangle become invisible and the MAP layer is visible within the extent of this path.

The clipping path gets underlined in the Layers panel and the geographic features are clipped to its shape.

We can now add a grid over the top of the clipped area using the Grids & Graticules tool. You will find that the default extent of the grid is the same as the spatial data. You will need to resize the grid to match the clipping mask.

Index/reference grid overlaid on the map.

If you want to change the spatial extent of the map you have to adjust both the clipping polygon and the grid. It would be nice to group them and resize it together, but Adobe Illustrator doesn’t allow groups to span multiple layers. One way around this is to use a saved selection. To do this, select the clipping mask and the MAPublisher Grids, then choose Select | Save Selection. Give the selection a name like Grids and Clipping Mask.

Grid and Clipping Mask selected.
New MAP Selection
Art Selection

Now if you need to adjust the spatial extent of the map you can quickly choose the saved selection and resize the clipping mask and grid or move them both around the artboard simultaneously.

The saved selection can be applied by clicking the Apply as New Selection button on the left.
Map grid and clipping mask have been enlarged together. The scale has also been made smaller.

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